داستانک Short Story | کاربران نگاه

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Amy's Question
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"Amy!"
Mrs. Grove called from the door that opened towards the garden. But no answer came. The sun had set half an hour before, and his parting rays were faintly tinging with gold and purple, few clouds that lay just alone the edge of the western sky. In the east, the full moon was rising in all her beauty, making pale the stars that were sparking in the firmament.

"Where is Amy?" she asked. "Has any one seen her come in?"

"I saw her go up stairs with her knitting in her hand half an hour ago," said Amy's brother, who was busily at work with his knife on a block of pine wood, trying to make a boat.

Mrs. Grove went to the foot of the stairs, and called again. But there was no reply.

"I wonder where the child can be," she said to herself, a slight feeling of anxiety crossing her mind. So she went up stairs to looks for her. The door of Amy's bedroom was shut, but on pushing it open Mrs. Grove saw her little girl sitting at the open window, so lost in the beauty of the moonlit sky and her own thoughts that she did not hear the noise of her mother's entrance.

"Amy," said Mrs. Grove.

The child started, and then said quickly,--

"O, mother! Come and see! Isn't it lovely?"

"What are you looking at, dear?" asked Mrs. Grove, as she sat down by her side, and drew an arm around her.

"At the moon, and stars, and the lake away off by the hill. See what a great road of light lies across the water! Isn't it beautiful, mother? And it makes me feel so quiet and happy. I wonder why it is?"

"Shall I tell you the reason?"

"O, yes, mother, dear! What is the reason?"

"God made everything that is good and beautiful."

"O, yes, I know that!"

"Good and beautiful for the sake of man; because man is the highest thing of creation and nearest to God. All things below him were created for his good; that is, God made them for him to use in sustaining the life of his body or the life of his soul."

"I don't see what use I can make of the moon and stars," said Amy.

"And yet," answered her mother, "you said only a minute ago that the beauty of this moon-light evening made you feel so quiet and happy."

"O, yes! That is so; and you were going to tell me why it was."

"First," said the mother, "let me, remind you that the moon and stars give us light by night, and that, if you happened to be away at a neighbor's after the sun went down, they would be of great use in showing you the path home-ward."

"I didn't think of that when I spoke of not seeing what use I could make, of the moon and stars," Amy replied.

Her mother went on,--

"God made everything that is good and beautiful for the stake of man, as I have just told you; and each of these good and beautiful things of creation comes to us with a double blessing,--one for our bodies and the other for our souls. The moon and stars not only give light this evening to make dark ways plain, but their calm presence fills our souls with peace. And they do so, because all things of nature being the work of God, have in them a likeness of something in himself not seen by our eyes, but felt in our souls. Do you understand anything of what I mean, Amy?"

"Just a little, only," answered the child. "Do you mean, mother dear, that God is inside of the moon and stars, and everything else that he has made?"

"Not exactly what I mean; but that he has so made them, that each created thin is as a mirror in which our souls may see something of his love and his wisdom reflected. In the water we see an image of his truth, that, if learned, will satisfy our thirsty minds and cleanse us from impurity. In the sun we see an image of his love, that gives light, and warmth, and all beauty and health to our souls."

"And what in the moon?" asked Amy.

"The moon is cold and calm, not warm and brilliant like the sun, which tells us of God's love. Like truths learned, but not made warm and bright by love, it shows us the way in times of darkness. But you are too young to understand much about this. Only keep in your memory that every good and beautiful thing you see, being made by God, reflects something of his nature and quality to your soul and that this is why the lovely, the grand, the beautiful, the pure, and sweet things of nature fill your heart with peace or delight when you gaze at them."

For a little while after this they sat looking out of the window, both feeling very peaceful in the presence of God and his works. Then voice was heard below, and Amy, starting up, exclaimed,--

"O, there is father!" and taking her mother's hand, went down to meet him.

 

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My Financial Career
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US currency, 1914
When I go into a bank I get rattled. The clerks rattle me; the wickets rattle me; the sight of the money rattles me; everything rattles me.

The moment I cross the threshold of a bank and attempt to transact business there, I become an irresponsible idiot.

I knew this beforehand, but my salary had been raised to fifty dollars a month and I felt that the bank was the only place for it.

So I shambled in and looked timidly round at the clerks. I had an idea that a person about to open an account must needs consult the manager.

I went up to a wicket marked "Accountant." The accountant was a tall, cool devil. The very sight of him rattled me. My voice was sepulchral.

"Can I see the manager?" I said, and added solemnly, "alone." I don't know why I said "alone."

"Certainly," said the accountant, and fetched him.

The manager was a grave, calm man. I held my fifty-six dollars clutched in a crumpled ball in my pocket.

"Are you the manager?" I said. God knows I didn't doubt it.

"Yes," he said.

"Can I see you," I asked, "alone?" I didn't want to say "alone" again, but without it the thing seemed self-evident.

The manager looked at me in some alarm. He felt that I had an awful secret to reveal.

"Come in here," he said, and led the way to a private room. He turned the key in the lock.

"We are safe from interruption here," he said; "sit down."

We both sat down and looked at each other. I found no voice to speak.

"You are one of Pinkerton's men, I presume," he said.

He had gathered from my mysterious manner that I was a detective. I knew what he was thinking, and it made me worse.

"No, not from Pinkerton's," I said, seeming to imply that I came from a rival agency. "To tell the truth," I went on, as if I had been prompted to lie about it, "I am not a detective at all. I have come to open an account. I intend to keep all my money in this bank."

The manager looked relieved but still serious; he concluded now that I was a son of Baron Rothschild or a young Gould.

"A large account, I suppose," he said.

"Fairly large," I whispered. "I propose to deposit fifty-six dollars now and fifty dollars a month regularly."

The manager got up and opened the door. He called to the accountant.

"Mr. Montgomery," he said unkindly loud, "this gentleman is opening an account, he will deposit fifty-six dollars. Good morning."

I rose.

A big iron door stood open at the side of the room.

"Good morning," I said, and stepped into the safe.

"Come out," said the manager coldly, and showed me the other way.

I went up to the accountant's wicket and poked the ball of money at him with a quick convulsive movement as if I were doing a conjuring trick.

My face was ghastly pale.

"Here," I said, "deposit it." The tone of the words seemed to mean, "Let us do this painful thing while the fit is on us."

He took the money and gave it to another clerk.

He made me write the sum on a slip and sign my name in a book. I no longer knew what I was doing. The bank swam before my eyes.

"Is it deposited?" I asked in a hollow, vibrating voice.

"It is," said the accountant.

"Then I want to draw a cheque."

My idea was to draw out six dollars of it for present use. Someone gave me a chequebook through a wicket and someone else began telling me how to write it out. The people in the bank had the impression that I was an invalid millionaire. I wrote something on the cheque and thrust it in at the clerk. He looked at it.

"What! are you drawing it all out again?" he asked in surprise. Then I realized that I had written fifty-six instead of six. I was too far gone to reason now. I had a feeling that it was impossible to explain the thing. All the clerks had stopped writing to look at me.

Reckless with misery, I made a plunge.

"Yes, the whole thing."

"You withdraw your money from the bank?"

"Every cent of it."

"Are you not going to deposit any more?" said the clerk, astonished.

"Never."

An idiot hope struck me that they might think something had insulted me while I was writing the cheque and that I had changed my mind. I made a wretched attempt to look like a man with a fearfully quick temper.

The clerk prepared to pay the money.

"How will you have it?" he said.

"What?"

"How will you have it?"

"Oh"—I caught his meaning and answered without even trying to think—"in fifties."

He gave me a fifty-dollar bill.

"And the six?" he asked dryly.

"In sixes," I said.

He gave it me and I rushed out.

As the big door swung behind me I caught the echo of a roar of laughter that went up to the ceiling of the bank. Since then I bank no more. I keep my money in cash in my trousers pocket and my savings in silver dollars in a sock.

 

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The Aged Mother
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Also known as The Story of the Aged Mother, this Japanese folktale tells the story of an unkind ruler who issues cruel orders, including one demand that all old folks are to be abandoned and left to die. Basho tells a poignant story about a mother and her son and their love for one another.

Yoshitoshi, The moon and the abandoned old woman, 1892
Long, long ago there lived at the foot of the mountain a poor farmer and his aged, widowed mother. They owned a bit of land which supplied them with food, and they were humble, peaceful, and happy.

Shining was governed by a despotic leader who though a warrior, had a great and cowardly shrinking from anything suggestive of failing health and strength. This caused him to send out a cruel proclamation. The entire province was given strict orders to immediately put to death all aged people. Those were barbarous days, and the custom of abandoning old people to die was not uncommon. The poor farmer loved his aged mother with tender reverence, and the order filled his heart with sorrow. But no one ever thought twice about obeying the mandate of the governor, so with many deep and hopeless sighs, the youth prepared for what at that time was considered the kindest mode of death.

Just at sundown, when his day’s work was ended, he took a quantity of unwhitened rice which was the principal food for the poor, and he cooked, dried it, and tied it in a square cloth, which he swung in a bundle around his neck along with a gourd filled with cool, sweet water. Then he lifted his helpless old mother to his back and started on his painful journey up the mountain. The road was long and steep; the narrow road was crossed and re-crossed by many paths made by the hunters and woodcutters. In some place, they lost and confues, but he gave no heed. One path or another, it mattered not. On he went, climbing blindly upward -- ever upward towards the high bare summit of what is known as Obatsuyama, the mountain of the “abandoning of the aged”.

The eyes of the old mother were not so dim but that they noted the reckless hastening from one path to another, and her loving heart grew anxious. Her son did not know the mountain’s many paths and his return might be one of danger, so she stretched forth her hand and snapping the twigs from brushes as they passed, she quietly dropped a handful every few steps of the way so that as they climbed, the narrow path behind them was dotted at frequent intervals with tiny piles of twigs. At last the summit was reached. Weary and heart sick, the youth gently released his burden and silently prepared a place of comfort as his last duty to the loved one. Gathering fallen pine needles, he made a soft cushion and tenderly lifted his old mother onto it. Hew rapped her padded coat more closely about the stooping shoulders and with tearful eyes and an aching heart he said farewell.

The trembling mother’s voice was full of unselfish love as she gave her last injunction. “Let not thine eyes be blinded, my son.” She said. “The mountain road is full of dangers. LOOK carefully and follow the path which holds the piles of twigs. They will guide you to the familiar path farther down”. The son’s surprised eyes looked back over the path, then at the poor old, shriveled hands all scratched and soiled by their work of love. His heart broke within and bowing to the ground, he cried aloud: “oh, Honorable mother, your kindness breaks my heart! I will not leave you. Together we will follow the path of twigs, and together we will die!”

Once more he shouldered his burden (how light it seemed now) and hastened down the path, through the shadows and the moonlight, to the little hut in the valley. Beneath the kitchen floor was a walled closet for food, which was covered and hidden from view. There the son hid his mother, supplying her with everything she needed, continually watching and fearing she would be discovered. Time passed, and he was beginning to feel safe when again the governor sent forth heralds bearing an unreasonable order, seemingly as a boast of his power. His demand was that his subjects should present him with a rope of ashes.

The entire province trembled with dread. The order must be obeyed yet who in all Shining could make a rope of ashes? One night, in great distress, the son whispered the news to his hidden mother. “Wait!” she said. “I will think. I will think” On the second day she told him what to do. “Make rope of twisted straw,” she said. “Then stretch it upon a row of flat stones and burn it on a windless night.” He called the people together and did as she said and when the blaze died down, there upon the stones, with every twist and fiber showing perfectly, lay a rope of ashes.

The governor was pleased at the wit of the youth and praised greatly, but he demanded to know where he had obtained his wisdom. “Alas! Alas!” cried the farmer, “the truth must be told!” and with deep bows he related his story. The governor listened and then meditated in silence. Finally he lifted his head. “Shining needs more than strength of youth,” he said gravely. “Ah, that I should have forgotten the well-known saying, “with the crown of snow, there cometh wisdom!” That very hour the cruel law was abolished, and custom drifted into as far a past that only legends remain.

 

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Hermann The Irascible
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Punch Magazine
The Story of the Great Weep

It was in the second decade of the Twentieth Century, after the Great Plague had devastated England, that Hermann the Irascible, nicknamed also the Wise, sat on the British throne. The Mortal Sickness had swept away the entire Royal Family, unto the third and fourth generations, and thus it came to pass that Hermann the Fourteenth of Saxe-Drachsen-Wachtelstein, who had stood thirtieth in the order of succession, found himself one day ruler of the British dominions within and beyond the seas. He was one of the unexpected things that happen in politics, and he happened with great thoroughness. In many ways he was the most progressive monarch who had sat on an important throne; before people knew where they were, they were somewhere else. Even his Ministers, progressive though they were by tradition, found it difficult to keep pace with his legislative suggestions.

"As a matter of fact," admitted the Prime Minister, "we are hampered by these votes-for-women creatures; they disturb our meetings throughout the country, and they try to turn Downing Street into a sort of political picnic-ground."

"They must be dealt with" said Hermann.

"Dealt with," said the Prime Minister; "exactly, just so; but how?"

"I will draft you a Bill," said the King, sitting down at his type-writing machine, "enacting that women shall vote at all future elections. Shall vote, you observe; or, to put it plainer, must. Voting will remain optional, as before, for male electors; but every woman between the ages of twenty-one and seventy will be obliged to vote, not only at elections for Parliament, county councils, district boards, parish-councils, and municipalities, but for coroners, school inspectors, churchwardens, curators of museums, sanitary authorities, police-court interpreters, swimming-bath instructors, contractors, choir-masters, market superintendents, art-school teachers, cathedral vergers, and other local functionaries whose names I will add as they occur to me. All these offices will become elective, and failure to vote at any election falling within her area of residence will involve the female elector in a penalty of 10 pounds. Absence, unsupported by an adequate medical certificate, will not be accepted as an excuse. Pass this Bill through the two Houses of Parliament and bring it to me for signature the day after tomorrow."

From the very outset the Compulsory Female Franchise produced little or no elation even in circles which had been loudest in demanding the vote. The bulk of the women of the country had been indifferent or hostile to the franchise agitation, and the most fanatical Suffragettes began to wonder what they had found so attractive in the prospect of putting ballot-papers into a box. In the country districts the task of carrying out the provisions of the new Act was irksome enough; in the towns and cities it became an incubus. There seemed no end to the elections. Laundresses and seamstresses had to hurry away from their work to vote, often for a candidate whose name they hadn't heard before, and whom they selected at haphazard; female clerks and waitresses got up extra early to get their voting done before starting off to their places of business. Society women found their arrangements impeded and upset by the continual necessity for attending the polling stations, and week-end parties and summer holidays became gradually a masculine luxury. As for Cairo and the Riviera, they were possible only for genuine invalids or people of enormous wealth, for the accumulation of 10 pound fines during a prolonged absence was a contingency that even ordinarily wealthy folk could hardly afford to risk.

It was not wonderful that the female disfranchisement agitation became a formidable movement. The No-Votes-for-Women League numbered its feminine adherents by the million; its colours, citron and old Dutch-madder, were flaunted everywhere, and its battle hymn, "We Don't Want to Vote," became a popular refrain. As the Government showed no signs of being impressed by peaceful persuasion, more violent methods came into vogue. Meetings were disturbed, Ministers were mobbed, policemen were bitten, and ordinary prison fare rejected, and on the eve of the anniversary of Trafalgar women bound themselves in tiers up the entire length of the Nelson column so that its customary floral decoration had to be abandoned. Still the Government obstinately adhered to its conviction that women ought to have the vote.

Then, as a last resort, some woman wit hit upon an expedient which it was strange that no one had thought of before. The Great Weep was organized. Relays of women, ten thousand at a time, wept continuously in the public places of the Metropolis. They wept in railway stations, in tubes and omnibuses, in the National Gallery, at the Army and Navy Stores, in St. James's Park, at ballad concerts, at Prince's and in the Burlington Arcade. The hitherto unbroken success of the brilliant farcical comedy "Henry's Rabbit" was imperilled by the presence of drearily weeping women in stalls and circle and gallery, and one of the brightest divorce cases that had been tried for many years was robbed of much of its sparkle by the lachrymose behaviour of a section of the audience.

"What are we to do?" asked the Prime Minister, whose cook had wept into all the breakfast dishes and whose nursemaid had gone out, crying quietly and miserably, to take the children for a walk in the Park.

"There is a time for everything," said the King; "there is a time to yield. Pass a measure through the two Houses depriving women of the right to vote, and bring it to me for the Royal assent the day after tomorrow."

As the Minister withdrew, Hermann the Irascible, who was also nicknamed the Wise, gave a profound chuckle.

"There are more ways of killing a cat than by choking it with cream," he quoted, "but I'm not sure," he added "that it's not the best way."

 

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The Man in the Brown Coat
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Hans Holbein, Portrait of Thomas Cromwell, 1532


Napoleon went down into a battle riding on a horse.
Alexander went down into a battle riding on a horse.
General Grant got off a horse and walked in a wood.
General Hindenburg stood on a hill.
The moon came up out of a clump of bushes.

I am writing a history of the things men do. I have written three such histories and I am but a young man. Already I have written three hundred, four hundred thousand words.

My wife is somewhere in this house where for hours now I have been sitting and writing. She is a tall woman with black hair, turning a little grey. Listen, she is going softly up a flight of stairs. All day she goes softly about, doing the housework in our house.

I came here to this town from another town in the state of Iowa. My father was a workman, a house painter. He did not rise in the world as I have done. I worked my way through college and became an historian. We own this house in which I sit. This is my room in which I work. Already I have written three histories of peoples. I have told how states were formed and battles fought. You may see my books standing straight up on the shelves of libraries. They stand up like sentries.

I am tall like my wife and my shoulders are a little stooped. Although I write boldly I am a shy man. I like being at work alone in this room with the door closed. There are many books here. Nations march back and forth in the books. It is quiet here but in the books a great thundering goes on.

Napoleon rides down a hill and into a battle.
General Grant walks in a wood.
Alexander rides down a hill and into a battle.

My wife has a serious, almost stern look. Sometimes the thoughts I have concerning her frighten me. In the afternoon she leaves our house and goes for a walk. Sometimes she goes to stores, sometimes to visit a neighbor. There is a yellow house opposite our house. My wife goes out at a side door and passes along the street between our house and the yellow house.

The side door of our house bangs. There is a moment of waiting. My wife's face floats across the yellow background of a picture.

General Pershing rode down a hill and into a battle.
Alexander rode down a hill and into a battle.

Little things are growing big in my mind. The window before my desk makes a little framed place like a picture. Every day I sit staring. I wait with an odd sensation of something impending. My hand trembles. The face that floats through the picture does something I don't understand. The face floats, then it stops. It goes from the right hand side to the left hand side, then it stops.

The face comes into my mind and goes out--the face floats in my mind. The pen has fallen from my fingers. The house is silent. The eyes of the floating face are turned away from me.

My wife is a girl who came here to this town from another town in the state of Ohio. We keep a servant but my wife often sweeps the floors and she sometimes makes the bed in which we sleep together. We sit together in the evening but I do not know her. I cannot shake myself out of myself. I wear a brown coat and I cannot come out of my coat. I cannot come out of myself. My wife is very gentle and she speaks softly but she cannot come out of herself.

My wife has gone out of the house. She does not know that I know every little thought of her life. I know what she thought when she was a child and walked in the streets of an Ohio town. I have heard the voices of her mind. I have heard the little voices. I heard the voice of fear crying when she was first overtaken with passion and crawled into my arms. Again I heard the voices of fear when her lips said words of courage to me as we sat together on the first evening after we were married and moved into this house.

It would be strange if I could sit here, as I am doing now, while my own face floated across the picture made by the yellow house and the window. It would be strange and beautiful if I could meet my wife, come into her presence.

The woman whose face floated across my picture just now knows nothing of me. I know nothing of her. She has gone off, along a street. The voices of her mind are talking. I am here in this room, as alone as ever any man God made.

It would be strange and beautiful if I could float my face across my picture. If my floating face could come into her presence, if it could come into the presence of any man or any woman--that would be a strange and beautiful thing to have happen.

Napoleon went down into a battle riding on a horse.
General Grant went into a wood.
Alexander went down into a battle riding on a horse.

I'll tell you what--sometimes the whole life of this world floats in a human face in my mind. The unconscious face of the world stops and stands still before me.

Why do I not say a word out of myself to the others? Why, in all our life together, have I never been able to break through the wall to my wife?

Already I have written three hundred, four hundred thousand words. Are there no words that lead into life? Some day I shall speak to myself. Some day I shall make a testament unto myself.

 

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The Death Of A Government Clerk
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In this story, Chekhov takes a critical poke at the overtly hierarchical order of Russian society, where "lowly" workers and clerks often endured humiliating and ingratiating discomforts to please "superiors."

This story is also known under the alternate title The Death of a Civil Servant.

ONE fine evening, a no less fine government clerk called Ivan Dmitritch Tchervyakov was sitting in the second row of the stalls, gazing through an opera glass at the Cloches de Corneville. He gazed and felt at the acme of bliss. But suddenly. . . . In stories one so often meets with this "But suddenly." The authors are right: life is so full of surprises! But suddenly his face puckered up, his eyes disappeared, his breathing was arrested . . . he took the opera glass from his eyes, bent over and . . . "Aptchee!!" he sneezed as you perceive. It is not reprehensible for anyone to sneeze anywhere. Peasants sneeze and so do police superintendents, and sometimes even privy councillors. All men sneeze. Tchervyakov was not in the least confused, he wiped his face with his handkerchief, and like a polite man, looked round to see whether he had disturbed any one by his sneezing. But then he was overcome with confusion. He saw that an old gentleman sitting in front of him in the first row of the stalls was carefully wiping his bald head and his neck with his glove and muttering something to himself. In the old gentleman, Tchervyakov recognised Brizzhalov, a civilian general serving in the Department of Transport.

"I have spattered him," thought Tchervyakov, "he is not the head of my department, but still it is awkward. I must apologise."

Tchervyakov gave a cough, bent his whole person forward, and whispered in the general's ear.

"Pardon, your Excellency, I spattered you accidentally. . . ."

"Never mind, never mind."

"For goodness sake excuse me, I . . . I did not mean to."

"Oh, please, sit down! let me listen!"

Tchervyakov was embarrassed, he smiled stupidly and fell to gazing at the stage. He gazed at it but was no longer feeling bliss. He began to be troubled by uneasiness. In the interval, he went up to Brizzhalov, walked beside him, and overcoming his shyness, muttered:

"I spattered you, your Excellency, forgive me . . . you see . . . I didn't do it to . . . ."

"Oh, that's enough . . . I'd forgotten it, and you keep on about it!" said the general, moving his lower lip impatiently.

"He has forgotten, but there is a fiendish light in his eye," thought Tchervyakov, looking suspiciously at the general. "And he doesn't want to talk. I ought to explain to him . . . that I really didn't intend . . . that it is the law of nature or else he will think I meant to spit on him. He doesn't think so now, but he will think so later!"

On getting home, Tchervyakov told his wife of his breach of good manners. It struck him that his wife took too frivolous a view of the incident; she was a little frightened, but when she learned that Brizzhalov was in a different department, she was reassured.

"Still, you had better go and apologise," she said, "or he will think you don't know how to behave in public."

"That's just it! I did apologise, but he took it somehow queerly . . . he didn't say a word of sense. There wasn't time to talk properly."

Next day Tchervyakov put on a new uniform, had his hair cut and went to Brizzhalov's to explain; going into the general's reception room he saw there a number of petitioners and among them the general himself, who was beginning to interview them. After questioning several petitioners the general raised his eyes and looked at Tchervyakov.

"Yesterday at the Arcadia, if you recollect, your Excellency," the latter began, "I sneezed and . . . accidentally spattered . . . Exc. . . ."

"What nonsense. . . . It's beyond anything! What can I do for you," said the general addressing the next petitioner.

"He won't speak," thought Tchervyakov, turning pale; "that means that he is angry. . . . No, it can't be left like this. . . . I will explain to him."

When the general had finished his conversation with the last of the petitioners and was turning towards his inner apartments, Tchervyakov took a step towards him and muttered:

"Your Excellency! If I venture to trouble your Excellency, it is simply from a feeling I may say of regret! . . . It was not intentional if you will graciously believe me."

The general made a lachrymose face, and waved his hand.

"Why, you are simply making fun of me, sir," he said as he closed the door behind him.

"Where's the making fun in it?" thought Tchervyakov, "there is nothing of the sort! He is a general, but he can't understand. If that is how it is I am not going to apologise to that fanfaron any more! The devil take him. I'll write a letter to him, but I won't go. By Jove, I won't."

So thought Tchervyakov as he walked home; he did not write a letter to the general, he pondered and pondered and could not make up that letter. He had to go next day to explain in person.

"I ventured to disturb your Excellency yesterday," he muttered, when the general lifted enquiring eyes upon him, "not to make fun as you were pleased to say. I was apologising for having spattered you in sneezing. . . . And I did not dream of making fun of you. Should I dare to make fun of you, if we should take to making fun, then there would be no respect for persons, there would be. . . ."

"Be off!" yelled the general, turning suddenly purple, and shaking all over.

"What?" asked Tchervyakov, in a whisper turning numb with horror.

"Be off!" repeated the general, stamping.

Something seemed to give way in Tchervyakov's stomach. Seeing nothing and hearing nothing he reeled to the door, went out into the street, and went staggering along. . . . Reaching home mechanically, without taking off his uniform, he lay down on the sofa and died.

 

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The Father
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Bjørnson uses just over 1,000 words to spin this powerful morality tale about a wealthy man's spiritual journey at various stages of his son's life.

Winslow Homer, The Fog Warning, 1885
THE man whose story is here to be told was the wealthiest and most influential person in his parish; his name was Thord Overaas. He appeared in the priest's study one day, tall and earnest. "I have gotten a son," said he, "and I wish to present him for baptism."

"What shall his name be?"

"Finn,—after my father."

"And the sponsors?"

They were mentioned, and proved to be the best men and women of Thord's relations in the parish.

"Is there anything else?" inquired the priest, and looked up.

The peasant hesitated a little.

"I should like very much to have him baptized by himself," said he, finally.

"That is to say on a week-day?"

"Next Saturday, at twelve o'clock noon."

"Is there anything else?" inquired the priest.

"There is nothing else;" and the peasant twirled his cap, as though he were about to go.

Then the priest rose. "There is yet this, however," said he, and walking toward Thord, he took him by the hand and looked gravely into his eyes: "God grant that the child may become a blessing to you!"

One day sixteen years later, Thord stood once more in the priest's study.

"Really, you carry your age astonishingly well, Thord," said the priest; for he saw no change whatever in the man.

"That is because I have no troubles," replied Thord.

To this the priest said nothing, but after a while he asked: "What is your pleasure this evening?"

"I have come this evening about that son of mine who is to be confirmed to-morrow."

"He is a bright boy."

"I did not wish to pay the priest until I heard what number the boy would have when he takes his place in church to-morrow."

"He will stand number one.'

"So I have heard; and here are ten dollars for the priest."

"Is there anything else I can do for you?" inquired the priest, fixing his eyes on Thord.

"There is nothing else."

Thord went out.

Eight years more rolled by, and then one day a noise was heard outside of the priest's study, for many men were approaching, and at their head was Thord, who entered first.

The priest looked up and recognized him.

"You come well attended this evening, Thord,"

"I am here to request that the banns may be published for my son; he is about to marry Karen Storliden, daughter of Gudmund, who stands here beside me."

"Why, that is the richest girl in the parish."

"So they say," replied the peasant, stroking back his hair with one hand.

The priest sat a while as if in deep thought, then entered the names in his book, without making any comments, and the men wrote their signatures underneath. Thord laid three dollars on the table.

"One is all I am to have," said the priest.

"I know that very well; but he is my only child, I want to do it handsomely."

The priest took the money.

"This is now the third time, Thord, that you have come here on your son's account."

"But now I am through with him," said Thord, and folding up his pocket-book he said farewell and walked away.

The men slowly followed him.

A fortnight later, the father and son were rowing across the lake, one calm, still day, to Storliden to make arrangements for the wedding.

"This thwart is not secure," said the son, and stood up to straighten the seat on which he was sitting.

At the same moment the board he was standing on slipped from under him; he threw out his arms, uttered a shriek, and fell overboard.

"Take hold of the oar!" shouted the father, springing to his feet and holding out the oar.

But when the son had made a couple of efforts he grew stiff.

"Wait a moment!" cried the father, and began to row toward his son.

Then the son rolled over on his back, gave his father one long look, and sank.

Thord could scarcely believe it; he held the boat still, and stared at the spot where his son had gone down, as though he must surely come to the surface again. There rose some bubbles, then some more, and finally one large one that burst; and the lake lay there as smooth and bright as a mirror again.

For three days and three nights people saw the father rowing round and round the spot, without taking either food or sleep; he was dragging the lake for the body of his son. And toward morning of the third day he found it, and carried it in his arms up over the hills to his gard.

It might have been about a year from that day, when the priest, late one autumn evening, heard some one in the passage outside of the door, carefully trying to find the latch. The priest opened the door, and in walked a tall, thin man, with bowed form and white hair. The priest looked long at him before he recognized him. It was Thord.

"Are you out walking so late?" said the priest, and stood still in front of him.

"Ah, yes! it is late," said Thord, and took a seat.

The priest sat down also, as though waiting. A long, long silence followed. At last Thord said:

"I have something with me that I should like to give to the poor; I want it to be invested as a legacy in my son's name."

He rose, laid some money on the table, and sat down again. The priest counted it.

"It is a great deal of money," said he.

"It is half the price of my gard. I sold it today."

The priest sat long in silence. At last he asked, but gently:

"What do you propose to do now, Thord?"

"Something better."

They sat there for a while, Thord with downcast eyes, the priest with his eyes fixed on Thord. Presently the priest said, slowly and softly:

"I think your son has at last brought you a true blessing."

"Yes, I think so myself," said Thord, looking up, while two big tears coursed slowly down his cheeks.

 

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The Little Match Girl
by

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Although he is well noted for his fairy-tales, the poignant story of The Little Match Girl or The Little Matchstick Girl(1845) is a great example of Hans Christian Andersen's broad literary talent and ability. I personally like to read this story at least twice a year, once in Autumn as the holiday season comes into focus, and then again around the Christmas holiday. It's a gentle reminder of the value of compassion and charity.

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is a resource for teachers and students.

Most terribly cold it was; it snowed, and was nearly quite dark, and evening-- the last evening of the year. In this cold and darkness there went along the street a poor little girl, bareheaded, and with naked feet. When she left home she had slippers on, it is true; but what was the good of that? They were very large slippers, which her mother had hitherto worn; so large were they; and the poor little thing lost them as she scuffled away across the street, because of two carriages that rolled by dreadfully fast.

One slipper was nowhere to be found; the other had been laid hold of by an urchin, and off he ran with it; he thought it would do capitally for a cradle when he some day or other should have children himself. So the little maiden walked on with her tiny naked feet, that were quite red and blue from cold. She carried a quantity of matches in an old apron, and she held a bundle of them in her hand. Nobody had bought anything of her the whole livelong day; no one had given her a single farthing.

She crept along trembling with cold and hunger--a very picture of sorrow, the poor little thing!

The flakes of snow covered her long fair hair, which fell in beautiful curls around her neck; but of that, of course, she never once now thought. From all the windows the candles were gleaming, and it smelt so deliciously of roast goose, for you know it was New Year's Eve; yes, of that she thought.

In a corner formed by two houses, of which one advanced more than the other, she seated herself down and cowered together. Her little feet she had drawn close up to her, but she grew colder and colder, and to go home she did not venture, for she had not sold any matches and could not bring a farthing of money: from her father she would certainly get blows, and at home it was cold too, for above her she had only the roof, through which the wind whistled, even though the largest cracks were stopped up with straw and rags.

Her little hands were almost numbed with cold. Oh! a match might afford her a world of comfort, if she only dared take a single one out of the bundle, draw it against the wall, and warm her fingers by it. She drew one out. "Rischt!" how it blazed, how it burnt! It was a warm, bright flame, like a candle, as she held her hands over it: it was a wonderful light. It seemed really to the little maiden as though she were sitting before a large iron stove, with burnished brass feet and a brass ornament at top. The fire burned with such blessed influence; it warmed so delightfully. The little girl had already stretched out her feet to warm them too; but--the small flame went out, the stove vanished: she had only the remains of the burnt-out match in her hand.

She rubbed another against the wall: it burned brightly, and where the light fell on the wall, there the wall became transparent like a veil, so that she could see into the room. On the table was spread a snow-white tablecloth; upon it was a splendid porcelain service, and the roast goose was steaming famously with its stuffing of apple and dried plums. And what was still more capital to behold was, the goose hopped down from the dish, reeled about on the floor with knife and fork in its breast, till it came up to the poor little girl; when--the match went out and nothing but the thick, cold, damp wall was left behind. She lighted another match. Now there she was sitting under the most magnificent Christmas tree: it was still larger, and more decorated than the one which she had seen through the glass door in the rich merchant's house.

Thousands of lights were burning on the green branches, and gaily-colored pictures, such as she had seen in the shop-windows, looked down upon her. The little maiden stretched out her hands towards them when--the match went out. The lights of the Christmas tree rose higher and higher, she saw them now as stars in heaven; one fell down and formed a long trail of fire.

"Someone is just dead!" said the little girl; for her old grandmother, the only person who had loved her, and who was now no more, had told her, that when a star falls, a soul ascends to God.

She drew another match against the wall: it was again light, and in the lustre there stood the old grandmother, so bright and radiant, so mild, and with such an expression of love.

"Grandmother!" cried the little one. "Oh, take me with you! You go away when the match burns out; you vanish like the warm stove, like the delicious roast goose, and like the magnificent Christmas tree!" And she rubbed the whole bundle of matches quickly against the wall, for she wanted to be quite sure of keeping her grandmother near her. And the matches gave such a brilliant light that it was brighter than at noon-day: never formerly had the grandmother been so beautiful and so tall. She took the little maiden, on her arm, and both flew in brightness and in joy so high, so very high, and then above was neither cold, nor hunger, nor anxiety--they were with God.

But in the corner, at the cold hour of dawn, sat the poor girl, with rosy cheeks and with a smiling mouth, leaning against the wall--frozen to death on the last evening of the old year. Stiff and stark sat the child there with her matches, of which one bundle had been burnt. "She wanted to warm herself," people said. No one had the slightest suspicion of what beautiful things she had seen; no one even dreamed of the splendor in which, with her grandmother she had entered on the joys of a new year.

 

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Louisa May Alcott: A Child's Biography
by

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Learn the story about how Louisa ran away and woke up to the town crier shouting, "Lost-- Lost--A little girl, six years old." She called out, "Why -- dat's ME!" This biography of Louisa May Alcott for children was excerpted from Mary Stoyell Stimpson's book, A Child's Book of American Biography (1915). Add over one hundred years to Ms. Stimpson's time reference when you read it with your own children.

As much as seventy years ago, in the city of Boston, there lived a small girl who had the naughty habit of running away. On a certain April morning, almost as soon as her mother finished buttoning her dress, Louisa May Alcott slipped out of the house and up the street as fast as her feet could carry her.

Louisa crept through a narrow alley and crossed several streets. It was a beautiful day, and she did not care so very much just where she went so long as she was having an adventure, all by herself. Suddenly she came upon some children who said they were going to a nice, tall ash heap to play. They asked her to join them.

Louisa thought they were fine playmates, for when she grew hungry they shared some cold potatoes and bread crusts with her. She would not have thought this much of a lunch in her mother's dining-room, but for an outdoor picnic it did very well.

When she tired of the ash heap she bade the children good-by, thanked them for their kindness, and hop-skipped to the Common, where she must have wandered about for hours, because, all of a sudden, it began to grow dark. Then she wanted to get home. She wanted her doll, her kitty, and her mother! It frightened her when she could not find any street that looked natural. She was hungry and tired, too. She threw herself down on some door-steps to rest and to watch the lamplighter, for you must remember this was long before there was any gas or electricity in Boston. At this moment a big dog came along. He kissed her face and hands and then sat down beside her with a sober look in his eyes, as if he were thinking: "I guess, Little Girl, you need some one to take care of you!"

Poor tired Louisa leaned against his neck and was fast asleep in no time. The dog kept very still. He did not want to wake her.

Pretty soon the town crier went by. He was ringing a bell and reading in a loud voice, from a paper in his hand, the description of a lost child. You see, Louisa's father and mother had missed her early in the forenoon and had looked for her in every place they could think of. Each hour they grew more worried, and at dusk they decided to hire this man to search the city.

When the runaway woke up and heard what the man was shouting—"Lost—Lost—A little girl, six years old, in a pink frock, white hat, and new, green shoes"—she called out in the darkness: "Why—dat's ME!"

The town crier took Louisa by the hand and led her home, where you may be sure she was welcomed with joy.

Mr. and Mrs. Alcott, from first to last, had had a good many frights about this flyaway Louisa. Once when she was only two years old they were traveling with her on a steamboat, and she darted away, in some moment when no one was noticing her, and crawled into the engine-room to watch the machinery. Of course her clothes were all grease and dirt, and she might have been caught in the machinery and hurt.

You won't be surprised to know that the next day after this last affair Louisa's parents made sure that she did not leave the house. Indeed, to be entirely certain of her where-abouts, they tied her to the leg of a big sofa for a whole day!

Except for this one fault, Louisa was a good child, so she felt much ashamed that she had caused her mother, whom she loved dearly, so much worry. As she sat there, tied to the sofa, she made up her mind that she would never frighten her so again. No—she would cure herself of the running-away habit!

After that day, whenever she felt the least desire to slip out of the house without asking permission, she would hurry to her own little room and shut the door tight. To keep her mind from bad plans she would shut her eyes and make up stories—think them all out, herself, you know. Then, when some of them seemed pretty good, she would write them down so that she would not forget them. By and by she found she liked making stories better than anything she had ever done in her life.

Her mother sometimes wondered why Louisa grew so fond of staying in her little chamber at the head of the stairs, all of a sudden, but was pleased that the runaway child had changed into such a quiet, like-to-stay-at-home girl.

It was a long time before Louisa dared to mention the stories and rhymes she had hidden in her desk but finally she told her mother about them, and when Mrs. Alcott had read them, she advised her to keep on writing. Louisa did so and became one of the best American story-tellers. She wrote a number of books, and if you begin with Lulu's Library, you will want to read Little Men and Little Women and all the books that dear Louisa Alcott ever wrote.

At first Louisa was paid but small sums for her writings, and as the Alcott family were poor, she taught school, did sewing, took care of children, or worked at anything, always with a merry smile, so long as it provided comforts for those she loved.

When the Civil War broke out, she was anxious to do something to help, so she went[154] into one of the Union hospitals as a nurse. She worked so hard that she grew very ill, and her father had to go after her and bring her home. One of her books tells about her life in the hospital.

It was soon after her return home that her books began to sell so well that she found herself, for the first time in her life, with a great deal of money. There was enough to buy luxuries for the Alcott family—there was enough for her to travel. No doubt she got more happiness in traveling than some people, for she found boys and girls in England, France, and Germany reading the very books she herself, Louisa May Alcott, had written. Then, too, at the age of fifty, she enjoyed venturing into new places just as well as she did the morning she sallied forth to Boston Common in her new green shoes!

 

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The Terrible Old Man
by

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Vincent van Gogh, An Old Man Putting Dry Rice on the Hearth, 1881
It was the design of Angelo Ricci and Joe Czanek and Manuel Silva to call on the Terrible Old Man. This old man dwells all alone in a very ancient house on Water Street near the sea, and is reputed to be both exceedingly rich and exceedingly feeble; which forms a situation very attractive to men of the profession of Messrs. Ricci, Czanek, and Silva, for that profession was nothing less dignified than robbery.

The inhabitants of Kingsport say and think many things about the Terrible Old Man which generally keep him safe from the attention of gentlemen like Mr. Ricci and his colleagues, despite the almost certain fact that he hides a fortune of indefinite magnitude somewhere about his musty and venerable abode. He is, in truth, a very strange person, believed to have been a captain of East India clipper ships in his day; so old that no one can remember when he was young, and so taciturn that few know his real name. Among the gnarled trees in the front yard of his aged and neglected place he maintains a strange collection of large stones, oddly grouped and painted so that they resemble the idols in some obscure Eastern temple. This collection frightens away most of the small boys who love to taunt the Terrible Old Man about his long white hair and beard, or to break the small-paned windows of his dwelling with wicked missiles; but there are other things which frighten the older and more curious folk who sometimes steal up to the house to peer in through the dusty panes. These folk say that on a table in a bare room on the ground floor are many peculiar bottles, in each a small piece of lead suspended pendulum-wise from a string. And they say that the Terrible Old Man talks to these bottles, addressing them by such names as Jack, Scar-Face, Long Tom, Spanish Joe, Peters, and Mate Ellis, and that whenever he speaks to a bottle the little lead pendulum within makes certain definite vibrations as if in answer.

Those who have watched the tall, lean, Terrible Old Man in these peculiar conversations, do not watch him again. But Angelo Ricci and Joe Czanek and Manuel Silva were not of Kingsport blood; they were of that new and heterogeneous alien stock which lies outside the charmed circle of New England life and traditions, and they saw in the Terrible Old Man merely a tottering, almost helpless grey-beard, who could not walk without the aid of his knotted cane, and whose thin, weak hands shook pitifully. They were really quite sorry in their way for the lonely, unpopular old fellow, whom everybody shunned, and at whom all the dogs barked singularly. But business is business, and to a robber whose soul is in his profession, there is a lure and a challenge about a very old and very feeble man who has no account at the bank, and who pays for his few necessities at the village store with Spanish gold and silver minted two centuries ago.

Messrs. Ricci, Czanek, and Silva selected the night of April 11th for their call. Mr. Ricci and Mr. Silva were to interview the poor old gentleman, whilst Mr. Czanek waited for them and their presumable metallic burden with a covered motor-car in Ship Street, by the gate in the tall rear wall of their hosts grounds. Desire to avoid needless explanations in case of unexpected police intrusions prompted these plans for a quiet and unostentatious departure.

As prearranged, the three adventurers started out separately in order to prevent any evil-minded suspicions afterward. Messrs. Ricci and Silva met in Water Street by the old man's front gate, and although they did not like the way the moon shone down upon the painted stones through the budding branches of the gnarled trees, they had more important things to think about than mere idle superstition. They feared it might be unpleasant work making the Terrible Old Man loquacious concerning his hoarded gold and silver, for aged sea-captains are notably stubborn and perverse. Still, he was very old and very feeble, and there were two visitors. Messrs. Ricci and Silva were experienced in the art of making unwilling persons voluble, and the screams of a weak and exceptionally venerable man can be easily muffled. So they moved up to the one lighted window and heard the Terrible Old Man talking childishly to his bottles with pendulums. Then they donned masks and knocked politely at the weather-stained oaken door.

Waiting seemed very long to Mr. Czanek as he fidgeted restlessly in the covered motor-car by the Terrible Old Man's back gate in Ship Street. He was more than ordinarily tender-hearted, and he did not like the hideous screams he had heard in the ancient house just after the hour appointed for the deed. Had he not told his colleagues to be as gentle as possible with the pathetic old sea-captain? Very nervously he watched that narrow oaken gate in the high and ivy-clad stone wall. Frequently he consulted his watch, and wondered at the delay. Had the old man died before revealing where his treasure was hidden, and had a thorough search become necessary? Mr. Czanek did not like to wait so long in the dark in such a place. Then he sensed a soft tread or tapping on the walk inside the gate, heard a gentle fumbling at the rusty latch, and saw the narrow, heavy door swing inward. And in the pallid glow of the single dim street-lamp he strained his eyes to see what his colleagues had brought out of that sinister house which loomed so close behind. But when he looked, he did not see what he had expected; for his colleagues were not there at all, but only the Terrible Old Man leaning quietly on his knotted cane and smiling hideously. Mr. Czanek had never before noticed the colour of that mans eyes; now he saw that they were yellow.

Little things make considerable excitement in little towns, which is the reason that Kingsport people talked all that spring and summer about the three unidentifiable bodies, horribly slashed as with many cutlasses, and horribly mangled as by the tread of many cruel boot-heels, which the tide washed in. And some people even spoke of things as trivial as the deserted motor-car found in Ship Street, or certain especially inhuman cries, probably of a stray animal or migratory bird, heard in the night by wakeful citizens. But in this idle village gossip the Terrible Old Man took no interest at all. He was by nature reserved, and when one is aged and feeble, one's reserve is doubly strong. Besides, so ancient a sea-captain must have witnessed scores of things much more stirring in the far-off days of his unremembered youth.